links to Ruby Jane on other sites:

www.siegelproductions.ca/fiddlefarmers/fiddlers.htm

http://www.us.imdb.com/name/nm1896619/

http://www.timothyschaffert.com/tour.html

http://www.newyorkmetro.com/fashion/blog/2005/09/11/two-types-of-glam
our-girls/

http://www.lookonline.com/2005/09/day-two-atil-kutoglu-named-his-56.htm
l

http://www.thackermountain.com/schedule/show.php?date=1130994000

http://www.oxfordfilmfest.com/archive_film.php?film=239&archive_year=20
05


http://www.cbsnews.com/stories/2006/04/13/eveningnews/main1498224.s
html

http://www.martystuart.com/LNJ-2006-1.htm
PRESS
This is the news story that ran
on the morning after her Columbus
show(March 24,2006) in the
Commercial Dispatch.

Ruby Jane wows crowd, CBS crew
By Steve Rogers and Kristin
Mamrack
Dispatch Staff


If the annual Pilgrimage Tour of
Homes in Columbus is supposed to
start slow and build to a big
finale - this year including the
annual ball and a huge air show -
don't tell Ruby Jane Smith.

Monday night, the musical prodigy
- at age 11, she's already an
accomplished, poised singer and
songwriter who is mastering
multiple instruments - rocked a
near-capacity crowd of some 1,000
people in Rent Auditorium during
the annual musical to kick off
the Pilgrimage.

And the news is spreading fact. A
CBS News crew here to do a spot
on Smith may expand its coverage
after just two days in town.

“I was really impressed by her,”
said, Amy Birnbaum, a producer
with CBS News.

“The concert was great fun and
she's really talented, has a
great gift,” Birnbaum said of the
concert, which almost filled the
auditorium in Whitfield Hall on
the campus of Mississippi
University for Women.

“It looks like a really beautiful
town,” she added of Columbus,
noting the crew, unfortunately,
hasn't had much time for sight-
seeing and will be leaving today.
“I wish I could see more of it.”

Birnbaum said the program will
air “in a few weeks,” but the
network hasn't yet decided
whether the young entertainer and
her friends - the network is
getting together with them before
leaving today - will air on the
network's morning program or
evening news.

Nancy Carpenter, director of
Columbus Historic Foundation
which coordinates the annual
Pilgrimage, was beaming over what
many described as one of the
largest crowds in several years
for the musical kickoff.

“I was so tickled,” Carpenter
said after the show. “Everyone
really seemed to enjoy it and
seemed to be having fun.


“I think it got everyone
really excited and that's
what it's all about,”
Carpenter added of the
crowd, which often got
caught up in Smith's hand-
clapping, toe-tapping
mixture of country, folk
and blues, played through
her award-winning fiddle
skills as well as the
guitar and other string
instruments.

Smith was accompanied by
the Larry Wallace Band.

Visitors shared the
excitement.

“She's unbelievable. We'd
heard about her and
decided to drive over but
she's more than we
expected. Makes us want
to come back for more now
that we've seen
everything going on,”
said John Chambers, who
drove to Monday night's
show from Tuscaloosa,
Ala., with his wife Norma.

“We've been to these
before but tonight was
energizing. You'd never
know she was just 11. If
this is just the start,
we want to see what else
you've got,” added Sue
Harris of Starkville who
has never done the
Pilgrimage although she's
lived in the area for six
years.

“We love old homes and
friends had told us about
your Pilgrimage and
invited us down. We
haven't seen any homes
yet but tonight was a
treat, just a very
special treat. It's got
us very excited,” said
Kim and Fred Adams from
Indianapolis, Ind.

By Monday afternoon,
visitors had been in from
12 states, according to
Carpenter.

Tickets and information
on the Pilgrimage are
available at the
Tennessee Williams
Welcome Center on Main
Street in downtown
Columbus, by calling
(800) 920-3533 or
visiting www.historic-
columbus.org

In addition to homes
tours, other events today
include the kickoff of
the City Blocks tour from
5-6:30 p.m. on downtown
streets, a musical
presentation at 6:30 p.m.
from the Jazz Caberet at
Mississippi School for
Mathematics and Science
in the Trotter Convention
Center courtyard and the
first candlelight tour at
historic Temple Heights.
Also featured on the
candlelight tour is
Lincoln Home.
BLUEGRASS PRODIGY: Ruby Jane performs at an arts center
in Columbus, Miss. Along with the fiddle, the 11-year-old
plays eight other instruments and may be one of the South's
next great bluegrass musicians.
CARMEN K. SISSON












from the November 13, 2006 edition
THE CHRISTIAN SCIENCE MONITOR

BLUEGRASS PRODIGY: Ruby Jane performs at an arts center
in Columbus, Miss. Along with the fiddle, the 11-year-old
plays eight other instruments and may be one of the South's
next great bluegrass musicians.
CARMEN K. SISSON
Backstory: Fiddler on the youth
By Carmen K. Sisson | Correspondent of The Christian
Science Monitor

COLUMBUS, MISS. – Ruby Jane Smith is perched on a
shaggy floor pillow in the middle of her sky-blue bedroom,
suede-booted feet crossed, head tilted, and brows
furrowed as she tries to remember the night she forgot
what city she was in during a performance. It's
understandable if the past three years seem a blur.
Between winning her first fiddle competition after only six
lessons, taking the Mississippi State Fiddler title, and
performing at the Grand Ole Opry, life's kind of busy these
days.
Particularly when you're only 11 and there's a disco birthday
party to plan and Lemony Snicket to read.


Yet if Ruby Jane's schedule seems unusually crowded for
someone who still has stuffed animals, it's because she is
something of a child prodigy - perhaps the South's next
great bluegrass musician.

"She's born with it - all it's got to do is come out," says Opry
legend Jim Brock, who has been training her. "At the rate
she's going, she's going to be a top-notch musician."

Last night, Ruby Jane enthralled a hometown audience with
a performance at the Rosenzweig Arts Center here. Clogs
beating out a steady rhythm, flowered skirt whirling, she
blazed through a few of the nine instruments she plays -
fiddle, mandolin, guitar, harmonica, banjo, Dobro, piano,
drums, and spoons - singing bluegrass favorites written
long before she was born.

Almost every performance results in invitations for others,
adding to her crowded schedule. Monday and Tuesday
nights are dance lessons, Wednesdays are the handbell
choir at St. Paul's Episcopal Church, Thursdays are violin
lessons with Mr. Brock, and Sundays are the church youth
group.

Tonight, she's home - for a change. It's a rarity she and her
mother plan to celebrate by snuggling in bed with cartons of
greasy Chinese food and a movie. For all her
accomplishments, Ruby Jane is still very much a preteen,
from the turquoise feather boa and butterfly party lights
draping her mirror to the Johnny Depp and Napoleon
Dynamite posters covering her wall.

Poised and polite, with a megawatt gap-toothed grin, she
neglects to mention the slew of regional awards she's won
or the CBS Evening News interview earlier this year, when
Bob Schieffer called her "the next big news in country
music."

In typical Ruby Jane fashion, words tumbling faster than her
tongue can shape the syllables, she recites a litany of
musicians she admires. Not surprisingly, Brock - who's
spent the past 50 years playing with some of the biggest
names in bluegrass - figures prominently on that list. Since
taking her on three years ago, he's become not only her
mentor, but a surrogate grandfather.

Their meeting was a combination of hard work and
serendipity. Her mother, JoBelle Smith, took her to see
bluegrass musician Rhonda Vincent in concert. Before the
performance, Ruby Jane went backstage to meet Ms.
Vincent. The girl was carrying her fiddle, as she always
does. Vincent dashed through a rendition of "Boil Them
Cabbage Down" and asked Ruby Jane to play it. She did - so
well that Vincent asked her to perform it onstage.

"I was sweating because she'd never played that song
before," Ms. Smith recalls. "I was looking at her like, 'You
can run if you want to,' but Ruby Jane got up there with a big
old grin and played the fire out of that song."

Brock was in the audience. "I couldn't believe I hadn't heard
about her," he says.

Four days later, Ruby Jane's mother called and asked him to
teach her. "I'd taught in the past, but not in years," says
Brock. "My house is small; I've got no studio. It's just a lot of
trouble."

He agreed to meet her at the Columbus Senior Center
where he was performing. By the time she finished playing
for the silver-haired crowd, Brock was scheduling her first
lesson. "I went home and told my wife, 'I've got this little girl
coming over,' and she said, 'I thought we said we weren't
going to do this,' " he remembers, chuckling softly. "I said,
'Well, I'm going to teach this one.' " Within a month, he
stopped charging her for the lessons.

Since then, the young chanteuse has become beloved at
the senior center. Ruby Jane says she has friends of all
ages, from 2 to 82. "They just love her and want to talk to
her for hours," teases her mother, as Ruby Jane blushes.
"At Wal-Mart especially, they're like, 'There's my Ruby Jane!' "

KID AT HEART: Ruby Jane sits on her bed with her fiddle and
favorite stuffed animals.
CARMEN K. SISSON

Her mother credits her social ease with home schooling,
which she says removed the limitations of generational
constructs. An artist and photographer herself, Smith
proudly admits that neither of them are conformists. From
the moment she was pregnant, she tried to fill Ruby Jane's
head with as many good things as she could, reading and
playing classical music for her while she was still in the
womb. She wasn't daunted either when Ruby Jane's father
disappeared in her third trimester. She simply moved in with
her parents and made her only child's life as rich as
possible.

"I thought literature and art and music and poetry were so
important," she says. "I didn't know what she was going to
do. I just knew it was better than sitting her in front of
Barney."

When she began showing an interest in violins at age 2, her
mother convinced a local teacher of the Suzuki method to
teach her, even though the training usually doesn't begin
until age 3. Smith studied right alongside her - until Ruby
Jane turned 5 and her skills surpassed her mother's. When
she become fascinated with bluegrass at 8, her mother put
aside her qualms and spent six months searching the state
for anyone who could lead her down this new path.

While Ruby Jane loved classical music, it didn't speak to her
soul the way this wild, joyful slice of Americana did. It was
raw and expressive, deeply emotional, and inherently fluid.

"I can't predict and say I'm doing any of this right," Smith
says of her parenting. "I just step out and do what seems
right at the moment."

***

Mother and daughter are at a crossroads again. Record
companies are beginning to pursue her, offering contracts
and advice. But at the heart of it all, Ruby Jane - reader of
the Chronicles of Narnia, unabashed lover of chicken
fingers and riding four-wheelers with her friends - is still
young, too young for what's being offered.

"I'm not selling her," Smith says, taking a batch of cookies
from the oven. "I'm not putting that kind of pressure on her.
It will come, just not yet."

With cheerful aplomb, Ruby Jane says she doesn't mind
waiting. She's writing songs, exploring jazz, studying Latin
and Greek, and - oh, yeah, trying to read all of
Shakespeare's plays "for the challenge." Every spare
moment is given to practice, from 10 minutes to six hours a
day. "I don't really have downtime," she says, without a trace
of ego or regret. "I'm always trying to accomplish something
or get something going."

Taking a moment to recite her favorite poem from memory,
Rudyard Kipling's "If," Ruby Jane pauses to reflect on the
poet's admonition to treat triumph and disaster equally and
dream without making dreams your master.

"Every show there's something to improve on, but it's not all
about hitting the notes right," she says. "I'd sit and play for
hours."

Indeed, her favorite word is "encore," and it's a good thing,
too - a lot of people predict that the little girl from
Mississippi is about to learn a new word: fame.
Here's the
NOVEMBER 13, 2006 article on
RUBY JANE
in the internationally published newspaper, THE CHRISTIAN
SCIENCE MONITOR.
click here for the link!
from WEEKLY READER Jan. 26, 2007
Ruby Jane was on the CBS EVENING NEWS April 13, 2006
click below:
http://www.cbsnews.com/stories/2006/04/13/eveningnews/m
ain1498224.shtml
see Ruby Jane on Marty Stuart's website...pics of the Late Night Jam
at the Ryman
http://www.martystuart.com/LNJ-2006-1.htm
check out the June 2006
issue of Y'ALL magazine!
...Ruby Jane  puts
Columbus on the map!
Did you catch this EXCITING NEWS?
AMERICAN AIRLINES  FEATURED RUBY JANE ON ALL
2006 SUMMER FLIGHTS ON THE "EYE ON
AMERICA"IN-FLIGHT NEWS SHOW!
Monday, July 14, 2008

article on Ruby Jane with Willie (PHOTOS at www.stillisstillmoving.com)


The Ruby Jane Show by Linda/www.stillistillmoving.com
Monday, July 7th, 2008
..
Micah Nelson, Lukas Nelson, and Ruby Jane, on stage at Carl's Corner 7/3/08

Ruby Jane, a 13-year-old fiddler from Austin, has been playing with Willie Nelson and
family at recent shows.  Willie introduced her as "Sweet Ruby," at the Carl's Corner show,
and her skills are very sweet and very kick-ass at the same time.  She was a crowd
pleaser, and plays like someone who has been playing the fiddle a lot longer than five
years, as reported on her web site.   And she didn't just come out and play on the gospel
set near the end of the show, either, but she was there from the first strains of Whiskey
River until the last strains of Whiskey River.



Willie gave her lots of opportunities for solos, and she awed the crowd with her skills.  She
was great.  See how focused she is in the pictures?  That's how she was every night; her
eyes never left Willie, except to acknowledge the applause from the audience with a smile.


www.therubyjaneshow.com:  

Born on November 17, 1994, in Dallas, TX, Ruby Jane is one of the world's premiere
junior fiddlers and a fast-rising star in country and bluegrass-Americana music. With deep
familial and cultural ties throughout the South, especially Mississippi, where she lived after
her birth until she was 12 years old, she now resides in Austin, TX, with her mama, when
not traveling as a musician, actress, or model.

Ruby Jane exhibited a strong connection to music as early as age one and began
classical violin instruction at age two. At age eight, she was introduced to the sounds of
Americana music in Santa Fe, NM, leading to a complete devotion to old-time and
bluegrass music. Subsequently, she began old-time fiddle lessons, which included the
study of its unique bowing techniques, archaic tunings, and depth of expression. After
only six fiddle lessons, she won first place in the first fiddle competition she entered,
beginning a run of victories and increasing notoriety that continues today.

She was granted an apprenticeship by the Mississippi Arts Commission at age eight to
apprentice with Charles T. Smith, one of the last great Mississippi old-time fiddlers. For
the past three years, she has competed in dozens of prestigious music competitions and
performed with many bluegrass and country greats, including Marty Stuart, Willie Nelson,
Lyle Lovett, Asleep at the Wheel, Rhonda Vincent ("The Queen of Bluegrass"), Mike
Snider, Jesse McReynolds, Jim Brock, James Monroe, Carl Jackson and many others.

In 2005, at age ten, Ruby Jane acted in her second film, contributed an original song to a
film soundtrack, performed as the youngest invited fiddler in the history of the Grand Ole
Opry, played at the Ernest Tubb Record Shop three times, and won the National
Beginners Fiddle Championship (which ranked her first nationally under twelve). She was
also a subject of artist James Patterson's state-commissioned, permanent photography
exhibit at Mississippi's Jackson International Airport; her image hangs alongside Eudora
Welty and Marty Stuart. Also in 2005, she won Second Place on the mandolin in the
National Beginner Country Musician Competition, performed and modeled clothes for
Project Alabama in New York's fall fashion week, and won a second consecutive First
Place in her category at the TN Valley Fiddle Convention in Athens, AL. At the 2005
International Bluegrass Music Association convention, she was invited to perform as "Kids
on Bluegrass".  IBMA invited her again in 2006 and 2007.

Ruby Jane is featured in a documentary about her legendary fiddle instructor Jim Brock.
She also contributed to the film's soundtrack. In October 2005, at age 10, she won First
Place in her category and then won the Fiddle-Off at the Mississippi State Fair Southern
Championship Fiddle Contest, establishing her as the Mississippi State Fiddle Champion
of 2005 for all age groups. She was the youngest state champion in the competition's
history.

In 2006 alone, media outlets and programs including the CBS Evening News, American
Airlines In-Flight "Eye on America" News, Christian Science Monitor, W magazine, British
Vogue, The New York Times, The Los Angeles Times, and award-winning publications in
Russia and Australia have featured stories about Ruby Jane. Selections from her
eponymous first full-length album are played on bluegrass radio in the United States,
Canada, and the Australian Radio Network while she continued to perform regularly
around the U.S.A consummate performer, when asked what to identify a single highlight of
2006, she mentioned playing on stage with Marty Stuart at "Marty's Late Night Jam at the
Ryman."



For more information about Ruby, visit her websites (she has three):

www.myspace.com/rubyjanesmith

www.youtube.com/tigerlovesmith

www.therubyjaneshow.com

article by Linda /florenceem@aol.com/ www.stillisstillmoving.com
For the Benefit of Mr. Kite, article by Margaret Moser, Austin
Chronicle, May 19, 2008, see Austin Chronicle archives for
photo




“I’ve never heard of anything like this,” was my mom’s
reaction to the news that this week I was writing a
recommended for the Candye Kane fundraiser at Antone’s
next Thursday, May 29, and planning to attend the one for
Van Wilks on June 8.
Not that she hadn’t heard of benefits – we’d just completed
one at Antone's for my brother Stephen – but rather that
she was amazed at their proliferation. It feels true that Austin’
s favorite pastime in the music community is supporting itself
through benefits. In a town where most bands and
musicians are struggling with outside jobs and their art to
make a living, when someone needs help you can’t keep the
players away with a stick. Or a bow.

That’s how a 13-year-old fiddle whiz named Ruby Jane got
my attention. Actually, her mother got my attention first by
sending me an email about Ruby Jane. With that name filed
away, I perked up at Stephen’s benefit when Ray Benson
strolled in with a sassy young brunette brandishing a fiddle.

“My problem is I can’t find enough places to play,” she’d
complained to Ray earlier. Ray bade her to join him at the
benefit, just for fun, much like she’s been at Asleep at the
Wheel's gigs. Next thing you know, Ruby Jane’s onstage,
accompanying Ray before an atypical Antone’s audience of
benefit angels, playing and singing her teenage heart out
on classic tunes such as “Mind Your Own Business.”



----------------------------------------------------------------------------
----

It was just a handful of songs, but like Sarah Jarosz, Ruby
Jane stands at the doorway of adolescence, just a few steps
into womanhood. Her unfettered style derives from a pure
youthful love of music that has yet to see her with a broken
heart or a rotten experience with a record contract. Despite
her complaint to Ray, her Myspace page is packed with gigs.
And some of them are benefits.
links to recent articles!

in  Austin American-Statesman


Here is the link to the "Your Neighbors" tv
special on Ruby Jane on News8 Austin!
This story ran on Ruby Jane Day in Austin,
July 24, 2008!
Ruby Jane article in Austin American Statesman
this is an excerpt from the article in Austin-American Statesman, for complete article, see
below link.
Five alive! Old is new again with these Austin musicians
Belleville Outfit, Ruby Jane, the Dedringers, Dustin Welch and the Fireants putting a fresh
spin on tradition.
Thursday, August 21, 2008


Ruby Jane
By Michael Corcoran
The Austin music community is a village that has raised Charlie and Will Sexton, Warren
Hood and Carrie Rodriguez, among others. In the last year the closeknit musical family
has taken in 13-year-old fiddler Ruby Jane Smith, who regularly sits in with everyone from
Willie Nelson and Asleep at the Wheel to Bob Schneider and the Scabs.
"I've got a lot of father figures," Ruby Jane says as she sits outside the RV that's home to
her and her artist mother, JoBelle Smith. Besides her advanced skill on the violin, Ruby
Jane seems older than 13, displaying a maturity you'd be lucky to find in high school
seniors.
The plan last year was to drive across the country, from Pensacola, Fla., to San Diego,
with home-schooled Ruby Jane playing fiddle wherever she could and JoBelle selling her
arts and crafts.
When the mother and daughter hit Austin in September, they headed straight to the
Continental Club, which JoBelle Smith used to visit on roadtrips from Dallas when she was
a student at Southern Methodist University. Dale Watson was playing and he invited Ruby
Jane, who always has her fiddle, onstage for a couple of songs.
That night the daughter asked her mother "Can we live here?" and they parked their
Winnebago at the Pecan Grove Park on Barton Springs Road.
"It was the first day of the ACL Fest," says JoBelle Smith, who had raised Ruby Jane
without a father in Columbus, Miss., where JoBelle's family was from. "We saw all these
people walking down (Barton Springs Road) and wondered what all the commotion was
about."
A year later, Ruby Jane will be playing ACL Fest, as a member of Asleep at the Wheel,
whose frontman, Ray Benson, now manages her.
"I don't get nervous playing in front of big audiences," says the teenager, who's a bit of a
ham. After all, she once performed in front of 60,000 people with Big & Rich on an ABC
special coinciding with the CMA Awards and had a blast. Having debuted on the Grand
Ole Opry at age 10, Ruby Jane was a fairly well-known prodigy in Nashville, where her
fiddle instructor, Jim Brock, had been a top bluegrass sideman before he retired back to
Mississippi.
"We were offered record deals," JoBelle says, "but there seemed to be a lot of pressure
involved. Like, if Ruby Jane didn't sell a million records, she'd be dropped." The Smiths
were also in talks about being the subject of a reality show on CMT, but that also didn't
feel right.
"I just want to keep getting better," says Ruby Jane, who has her own band and bills her
act as the Ruby Jane Show. She's been taking voice and guitar lessons and has started
writing songs with Bill and Ruth Carter (Stevie Ray Vaughan's "Crossfire"). "My ultimate
role model is Dolly Parton," says Ruby Jane, who started playing violin at age 2, after
being transfixed by an Itzhak Perlman performance on PBS. "She a huge star, but she's
also a great musician. I look at all the great songs she's written and I realize that I've got
so much to learn."
And she and her mother feel that Austin, where sharing and nurturing trump clawing and
competing, is the perfect place to study.
(Ruby Jane's next Austin show is Friday at Waterloo Ice House, 1106 W. 38th St.
therubyjaneshow.com)

for complete article,
http://www.austin360.com/music/content/music/stories/xl/2008/08/0821xlcover.html
SEPT 2009 issue Austin Woman!

Ruby Jane
Amazing 14-Year-Old Fiddler
By Deborah Hamilton-Lynne


The very first night Ruby Jane Smith spent in Austin
she played the Continental Club with Dale Watson.
She walked up to the stage and explained that they
had a mutual friend in country legend, Marty Stuart,
so Dale invited her to join him. Ruby Jane was 13.
Later that evening, Ruby and her mother, JoBelle,
pulled their RV into Pecan Grove RV Park in the
middle of Barton Springs Road and found a home. In
her two years
in Austin, Ruby Jane has played with Lyle Lovett,
Willie Nelson and Asleep at the Wheel for the
opening of the Long Center; performed in A Ride
With Bob and was awarded the prestigious Daniel
Pearl
Memorial Violin at the Mark O’Connor Strings
Conference in San Diego. This amazing prodigy
began playing the violin at age two and at age 10
was the youngest invited fiddle player in the history
of the famed Grand Ole Opry in Nashville, TN. I
caught up with Ruby Jane and her mother and
manager JoBelle between touring and local gigs
under the shade of a 100-year-old pecan tree in
Pecan Grove.


austinwoman: I must say that you are amazingly
focused and mature for a 14-year-old. Has music
always been your life?


Ruby Jane: I have always had a sense that I wanted
to be a musician. I started playing when I was two.
When other children in my playgroup were watching
Sesame Street I wanted to watch a tape of Itzhak
Perlman playing with a symphony orchestra. I would
watch it over and over again. I knew the names and
sounds of every stringed instrument in the
orchestra. I have always been very focused and
determined. I told my mother, “This is what I love and
this is what I am going to do my whole life.” Music is
my passion and I have never wavered.


JoBelle: When she was about five, she would line
her dolls up and perform songs from The Sound of
Music for them. She
would do this for five to six hours a day. When she
was eight, she told me she wanted her own band
and by the time she was 10, she had one. I have
always home schooled her because I knew she
would not be happy sitting behind a desk for 12
years. We have always seen this as a great
adventure and I wouldn’t have it any other way.


Ruby Jane: My mom is so spontaneous … she has a
hippy attitude. She is a potter and an artist but she
has focused her life on my career and me so that I
can live this life. Our experiences have been
amazing. I love this life … it is very freeing. We say
we are “adventure goddesses.”


aw: Sounds like fun, but we all know that it is a lot of
hard work.


RJ: I practice a lot and I have gotten into writing
songs. I study violin with Martin Norgaard. I am
experimenting with several genres – jazz and
classical as well as country, blues and Cajun. I am
working on my singing and have started some
acting. I am very busy, but I love it. My mom
manages me, keeps up the website and handles the
emails and phone calls. We are on the road part of
the year and then I have some regular gigs around
town.


aw: Who are your musical influences?


RJ: Perlman, of course, was an early influence and I
actually met him once. I was five and my Suzuki
Violin class went to see him when he came to
Hattiesburg, MS. My musical influences come from
almost every genre of music.


JB: When she was five, she asked for the Willie
Nelson Teatro video for Christmas. Here were all the
kids in her playgroup, opening their toys and they
had no idea why she was so excited when she
opened that gift.


RJ: I remember carrying around a little cassette tape
player with a tape of Willie’s – Gypsy Guitar. I think
even then that I imagined playing with him. I love
Patty Griffin for her songwriting. I have all of her
records. I love Tom Waits, The Beatles, The Rolling
Stones and Bob Marley. For the blues – Vassar
Clements; for bluegrass, Casey Driessen and Stuff
Smith, who is a black jazz violinist.


aw: How did you ever develop your incredible
confidence and stage presence? Are you ever
nervous?


RJ: I think I am a born entertainer. I have never been
afraid of being in front of people. It always felt
natural to me. I was a little nervous at first when I
played the Grand Ole Opry – and who wouldn’t be? I
remember thinking, “These are the doors to fame or
doom. If I blow people away, I can be famous.” Of
course, that was a little overdramatic. I was with my
teacher, Jim Brock, who was a Grand Ole Opry
veteran bluegrass player. When he realized that I
was nervous, he took me to the side of the stage
and said, “Stand here and see what it feels like.” As
soon as I was onstage and the curtain opened I was
ready and I felt like I belonged there. I also played
Titan Stadium for 60,000 people. I looked at all of
those faces and the adrenaline rushed and my heart
was beating. It was an incredible feeling. When I am
onstage I am alive.


aw: Why call Austin home? Why not Nashville?


RJ: I think it was in my karma to be here. We didn’t
plan it. In 2007, we decided to buy an RV, pack
everything and hit the road. We wanted to explore
the country with no strings attached. We were
driving from Pensacola, FL to Mark O’Connor’s
fiddle camp in San Diego the first time we stopped
here. That was the night I played with Dale Watson
at the Continental Club. We came back after the
camp and when we pulled into Pecan Grove it felt
like Divine Providence … I knew I was home and we
have been here every since. This is my favorite spot
on earth. Austin just has a certain vibe. It’s not only
the music. It’s the people and the mindset. I fit in
instantly. It felt right for both of us. Austin is such a
friendly and accepting place. There are a lot of
different people with different interests but they all
get along and support each other. Dale Watson didn’
t even know me. We just met and he invited me to
join him onstage at the Continental and the people
loved it. He was so warm and he gave me a chance.
Where else would that happen but Austin? It was my
first night here and it turned out to be a true
reflection of this city.
aw: I know that you have big plans. What’s next?
What do you want to accomplish before you turn 15?


JB: (Laughs) She is always dreaming of things she
wants to do. In June, we were in Los Angeles
shooting a pilot for a documentary filmmaker who
wants to do a reality show about young
musicians who are trying to make it in the business.


RJ: I also would like to become more mainstream
and write more original songs. I would like to
produce my own CD. I think it is difficult to find a
producer who sees things the way I do. I mean no
one can transform what is in my head except me. I
would love to find a producer that could transform
and understand what I hear in my head, but I would
like to produce my own things. Honestly, I am open
to all possibilities and the doors are wide open. I am
up for anything.



Get Involved
Ruby Jane is participating in three fundraisers for
local charities and organizations in September. She
urges you to support the organization of your choice!


September 2
Breast Cancer Resource Center Fundraiser
Opal Divine’s Freehouse
www.opaldivines.com
700 West 6th Street
512.477.3308


September 13
Dell Children’s Medical Center Foundation
15th Annual Kid’s Classic Golf Tournament Party
and Auction Hosted by Tom Kite
For tickets, go to www.childrensaustin.org



MORE INFO

www.therubyjaneshow.com